Shot while quarantined with my boyfriend in our home together. The point of these photos is to not produce beautiful images or to produce anti-fashion. Rather, to free the images themselves from their representational standards, in order to infiltrate other forms of representation in contemporary art.
the idea behind this series is "kill the christian, save the man" reversing the trauma
of Catholicism and missionary work has caused indigenous and pagan cultures across the globe in a way that speaks to me on a personal level. the term "Kill the Indian, and Save the Man" was coined by Capt. Richard H. Prat. This is my response. Mixed media, collage, paint marker mediums.
The Distance Between Us
My brother is getting married
in the midst of a plague. His bachelor party
with its cowboy hats and surgical masks,
its whiskey sanitizing a row of esophagi.
And I haven’t been touched by another
human being in weeks, and it’s insane
to think about loving in a time like this—
my own partner on another
continent, triggering a yawn in me
through a metal square in my palm
that I periodically wipe down
with Lysol. That I can only open
with the touch of a finger,
the recognition of my face.
And we once laughed
that I got her sick
over the phone. And now
we don’t talk much anymore.
Borders and minds closed, and opened again
to usher in an odd sort of purgatory.
The distance between us, half a world,
plus the CDC recommended six feet.
The distance between us, two people
on opposite sides of a bus bench.
And in Thailand hundreds of monkeys
are fighting over single bananas,
starved from lack of attention
from visiting tourists’ lunch pails.
In Los Angeles I rush and screech
towards my phone at your call, fighting
away rumpled sheets and empty bottles
of Purell. Your voice, your name, sung
from your balcony to mine. Your touch, all touch,
elusive and strange—we Facetime two friends
in a dark room, plead with them to kiss
our glass faces together again.
Time
At seven PM I’m in my boxers, and in
an online AA meeting. I’m so bored and scared
of myself, says someone, what else is there
to pass the time but to drink, and then it’s my turn
to share. Constant W, I say to a screen full
of hundreds of winners in various states
of repose—shirtless on a mattress, tapping
their feet incessantly, or smoking
a thousand cigarettes in the sterile eggshell
tundra of a studio apartment. Alcoholic,
I say, right before some quarantined teen
who found the chat’s link thinks
it would be funny to ask me if I have a big dick.
Yes, I reply, one big dick and seven months sober.
At seven PM in France they are also announcing
a list of the dead. Yesterday eighty souls,
today one hundred. Exactly four hours
and one eon later, at eleven PM,
my very much alive partner
answers my call for the fifth time
from her mauve couch in Lyon,
tells me to sing Happy Birthday
to count the seconds
in which I should wash my hands,
to sing Staying Alive for thirty
chest compressions, before blowing
into a mouth twice. And I feel as though
I’ve entered into a long distance relationship
with the world. This is all just the earth
telling us a big fuck, she says,
smoking yet another cigarette. Yes, I reply, yes.
One big fuck, as whiskey measures minutes
on a shelf, and the clock on my wall
ticks itself into another morning.
Friday, March 20, 2020, 1PM
At exactly one PM—our time—the people of the world
have decided to pray in unison.
I walk in to my kitchen to find my parents’ heads
bowed like thirsty horses
over troughs. My mother raises her hand
at the sound of my boots, and just then
there is a long pause in which the universe
takes a deep, collective breath.
When they’re finished they switch the TV back on,
and the studio audience laughs and laughs.
Constant Laval Williams is a Los Angeles-born poet and former resident of Paris, France, where his writing first came of age. He studied creative writing at the University of Southern California where he received the Beau J. Boudreaux Poetry Award. His poetry has appeared or is upcoming in Hotel Amerika, The American Journal of Poetry, December magazine, Paris Lit Up and others. Visit constant-Williams.com for more.
Void
——————
Think about the void
boy do I avoid
PeoPle who destroy my thoughts of purity
Serene dreams
If serenading humanity with love and peace
Blissed in green energy
The void is
Current Ex
———————
Raging fits of nothing
Lost my trust
B4 I even threw it atchu
Get
Lost
Manic not depressive
_________________________
The fire in my mind
I can only seem to put out with time
A significant chore
to keep things less cluttered than they were before
Molly’s a warm Blanket
________________________
the MDMA muted my brain
It didn’t ask me questions
I had no thoughts
Just a warm blanket wrapping around my mind
Short
________
I wrote about improving before you came to see me. I didn’t.
Aim Tweedy is an Anti Disappointment artist who runs mental health/substance abuse groups in Chicago, IL.